University of Michigan
Dept. of Comparative Literature
PhD in Comparative Literature, The University of Michigan, Ann Arbor (2025)
MA in Greek, The University of Michigan, Ann Arbor (2021)
MA in Classics, Washington University in St. Louis (2018)
Forthcoming, 2026. “Norma Jeane Baker, ‘Harlot of Troy’: Anne Carson’s Unknowable Hellenic Eidolon.” In Anne Carson and the Unknown: Contemporary Perspectives on Poetic Experimentation, Eds. Christine Wiesenthal and Helena Van Praet. University of Michigan Press.
2025. “Animating Disability Arts and Ovidian Metamorphosis in Kinetic Light’s DESCENT.” In Women Creating Classics: A Retrospective, Eds. Emily Hauser and Helena Taylor. Bloomsbury. 189-207.
2024. “Cripping Venus: Intersections of Classics and Disability Studies in Contemporary Receptions of the Venus de Milo.” In Reception Studies: New Challenges in a Changing World, Eds. Anastasia Bakogianni and Luis Unceta Gomez. De Gruyter. 239-264.
2024. “Nossis: Kissed by Kypris / Portraits of Some Ladies (Not on Fire).” Lesbiantiquity no. 7. Ed. Georgina Barker.
2023. “Modernist Epithalamia: Revival, Revision, and Subversion of Sappho in H.D.’s ‘Hymen’.” Modernism/Modernity 30.2: 301-323.
2022. Review. Choreonarratives: Dancing Greek and Roman Antiquity and Beyond. Eds. Laura Gianvittorio-Ungar and Karin Schlapbach. Rhea Classical Reviews.
2018. Co-Author, Timothy Moore. “Plautus’s Miles Gloriosus.” Oxford Bibliographies Online: Classics.
Tisch Hall 2028 (second floor)
435 South State Street
Ann Arbor, MI 48109-1003
Research interests: classical reception, gender and sexuality studies, ancient Greek poetry, 20th and 21st century English and Greek poetry, modernism, disability studies, modern dance, experimental multimedia performance
Languages: Ancient Greek, Latin, Modern Greek, Italian